{"success":true,"result":{"list":{"book":{"18":{"imageurl":"\/ima\/livre\/18\/elegies_couv.jpg","title":"\u00c9l\u00e9gies H\u00e9","authorfield":"Philippe Beck","summary":"\u00ab H\u00e9las est le discours premier du chant appel\u00e9 \u00e9l\u00e9gie. Selon une \u00e9tymologie du chant. Le pays du regret a d'abord deux syllabes mentales, qui d\u00e9veloppent le cri ou expression animale de la peine. [...] H\u00e9las d\u00e9veloppe les promesses de la peine, avec vitalit\u00e9 et impersonnalit\u00e9, dans le proc\u00e9d\u00e9 du soleil ou ses proc\u00e9dures. \u00bb<br \/>\r\n<br \/>\r\nLecture des \"El\u00e9gies H\u00e9\" aux Revues parl\u00e9es (Centre Pompidou, mai 2006) :<br \/>\r\n\u00ab\u00a0Eh bien. \/ Homme\u00a0: administration sociale [...]","year":"2005","url":"2005\/philippe-beck\/elegies-he","published":1},"17":{"imageurl":"\/ima\/livre\/17\/poesies_couv.jpg","title":"Po\u00e9sies didactiques","authorfield":"Philippe Beck","summary":"\"On attend encore un po\u00e8me didactique o\u00f9 la pens\u00e9e elle-m\u00eame serait et demeurerait po\u00e9tique\u00a0\u00bb\u00a0: Philippe Beck a relev\u00e9 ce d\u00e9fi lanc\u00e9 par Schiller dans son Livre sur la po\u00e9sie na\u00efve et la po\u00e9sie sentimentale. Du m\u00eame livre, Beck a traduit ceci: \"Dans la mesure o\u00f9 l'int\u00e9r\u00eat pour la nature se fonde sur une id\u00e9e, il ne peut se manifester que dans un esprit r\u00e9ceptif aux id\u00e9es, c'est-\u00e0-dire dans un esprit moral. La plupart des hommes ne font qu'affecter cet int\u00e9r\u00eat, et la fr\u00e9quence de cette sentimentalit\u00e9 \u00e0 notre \u00e9poque, qui [...]","year":"2001","url":"2001\/philippe-beck\/poesies-didactiques","published":1},"15":{"imageurl":"\/ima\/livre\/15\/cendrillon_couv.jpg","title":"O\u00f9 l\u2019on apprend que Cendrillon a tu\u00e9 sa m\u00e8re (Contes du Cadavre)","authorfield":"Anonymes tib\u00e9tains","summary":"Elle ne s'appelle pas \"Cendrillon\", mais : sKyid 'D\u00f6d sDug Nyo Ma, ou : \"Fille, qui a d\u00e9sir\u00e9 le Bonheur et achet\u00e9 la Mis\u00e8re!\", ou : \" Malheureuse Acheteuse de Bonheur\", ou encore : \"Acheteuse du Bonheur [qui est cause] du Malheur!\"  ... et le conte ne s'en tient pas au mariage de \"la fille\" avec le prince. Elle devra  aussi mourir et rena\u00eetre, sous la forme inf\u00e9rieure d'un petit oiseau, avant d'avoir expi\u00e9 la faute initiale qui l'a \u00e9cart\u00e9e de son destin humain. Au commencement, la fille [...]","year":"2005","url":"2005\/anonymes-tibetains\/ou-l-on-apprend-que-cendrillon-a-tue-sa-mere-(contes-du-cadavre)","published":1},"16":{"imageurl":"\/ima\/livre\/16\/revenant.jpg","title":"Revenant de la mort","authorfield":"Fran\u00e7oise Pommaret","summary":"Une sorte d'\u00e9quivalent au \"Livre des morts\" tib\u00e9tain (Bardo Th\u00f6dol) dans la litt\u00e9rature orale.","year":"1988","url":"1988\/francoise-pommaret\/revenant-de-la-mort","published":1},"90":{"imageurl":"\/ima\/livre\/90\/fenetreSmall_couverture.jpg","title":"La Fen\u00eatre Veuve","authorfield":"Jacques Roubaud","summary":"\u00ab Au d\u00e9but du mythe de la m\u00e9moire il nous est rapport\u00e9 ceci : \"D\u00eenait \u00e0 Crannon en Thessalie Simonide de C\u00e9os chez Scopas homme riche\u00a0\u00a0 et chanta le chant qu'il avait pour l'occasion compos\u00e9 dans lequel nombreux \u00e0 fin d'ornement \u00e9loges de Castor \u00e9taient \u00e9crits\u00a0\u00a0 et de Pollux\u00a0\u00a0\u00a0.&nbsp;&nbsp;D'une pingrerie  celui-ci sordide \u00e0 Simonide dit que la moiti\u00e9 du prix qui avait \u00e9t\u00e9 convenu pour ce chant il donnerait \u00bb<br \/>\r\n<br \/>\r\nPour recevoir un exemplaire d'occasion de [...]","year":"1996","url":"1996\/jacques-roubaud\/la-fenetre-veuve","published":1},"20":{"imageurl":"\/ima\/livre\/20\/sens_couv.gif","title":"Sens de Walden","authorfield":"Stanley Cavell","summary":"Le livre du philosophe am\u00e9ricain S. Cavell sur le livre de H.D. Thoreau, \u201cWalden\u201d. \u201cThe Senses of Walden\u201d est paru aux U.S.A. en 1972: \u00ab\u00a0Qu\u2019attendre d\u2019un livre qui parle d\u2019un livre\u00a0?\u00a0\u00bb (Stanley Cavell)<br \/>\r\n\"La plupart des hommes m\u00e8nent des vies de tranquille d\u00e9sespoir\": ce bref paragraphe revient six fois sur le mot d\u00e9sespoir, ou ses variations. [...] C'est du d\u00e9sespoir qu'il faudra claironner et rire farouchement, ce qui ne produira peut-\u00eatre qu'un son strident. Qui, alors, pourra au moins \u00e9veiller ses voisins \u00e0 leur condition pr\u00e9sente.\"<br \/>\r\n(Stanley [...]","year":"2007","url":"2007\/stanley-cavell\/sens-de-walden","published":1},"21":{"imageurl":"\/ima\/livre\/21\/milleetre2_couv.jpg","title":"Mille e tre, 2 ; 200 fl\u00e8ches","authorfield":"Mica\u00ebla Henich, Jacques Roubaud","summary":"200 fl\u00e8ches est la deuxi\u00e8me section de mille e tre<br \/>\r\n<br \/>\r\n\u00ab\u00a0295\t<br \/>\r\npas une vague ne cesse \/ sans qu\u2019un carrefour \/ d\u2019\u00e9cume ne franchisse \/ \/ <br \/>\r\nles parall\u00e8les que je ne sais pas \/ r\u00e9unir\u00a0\u00bb","year":"1995","url":"1995\/micaela-henich-jacques-roubaud\/mille-e-tre-2-;-200-fleches","published":1},"22":{"imageurl":"\/ima\/livre\/22\/cetteile_couv.jpg","title":"Cette \u00eele est la mienne","authorfield":"H.D. Thoreau, R.W. Emerson, Charles Olson, Susan Howe","summary":"Ce volume r\u00e9unit des po\u00e8tes et \u00e9crivains de Nouvelle-Angleterre, de 1730 ( Mary Rowlandson, Cotton Mather ) \u00e0 1993 (Susan Howe, \u00ab The Birth-Mark, Unsettling the Wilderness in American Literary History \u00bb) <br \/>\r\n<br \/>\r\nIl est, \u00e0 travers les auteurs traduits, une tentative de relev\u00e9 topographique et \u00e9motionnel de cette r\u00e9gion du monde.<br \/>\r\n<br \/>\r\ncouverture : d'apr\u00e8s l'annonce publicitaire de H.D. Thoreau, arpenteur. Lire la [...]","year":"2004","url":"2004\/h.d.-thoreau-r.w.-emerson-charles-olson-susan-howe\/cette-ile-est-la-mienne","published":1},"45":{"imageurl":"\/ima\/livre\/45\/deuxet_couv.jpg","title":"Deux et","authorfield":"Susan Howe","summary":"\u00ab Deux et \u00bb (titre anglais propos\u00e9 par l'auteur : Times Two) \u2014 B\u00e2tis, suivi de Triage des faits. B\u00e2tis\u00a0: (Frame Structures), titre d\u2019une longue prose o\u00f9 la part autobiographique renvoie de fa\u00e7on souvent inattendue \u00e0 l\u2019Histoire des Etats-Unis. Traduit de l\u2019anglais (am\u00e9ricain) par Bernard Rival. Triage des faits\u00a0; ou, dix-neuf fa\u00e7ons de regarder Marker\u00a0: est un texte command\u00e9 \u00e0 l'auteur pour un ouvrage collectif sur le cin\u00e9ma documentaire (Beyond Document\u00a0: Essays on Non-fiction Film, Charles Warren ed., 1995); S.H. y \u00e9tudie le cin\u00e9ma de CHRIS MARKER en regardant Dziga [...]","year":"1998","url":"1998\/susan-howe\/deux-et","published":1},"41":{"imageurl":"\/ima\/livre\/41\/poeme_couv.jpg","title":"Po\u00e8me","authorfield":"Roger Giroux","summary":"[...]  Un lacs (prononcer l\u00e2), ou lacet, est un n\u0153ud coulant utilis\u00e9 pour capturer les oiseaux. Au sens figur\u00e9 c'est un pi\u00e8ge, un embarras dont on a du mal \u00e0 se tirer. Tomber ou \u00eatre dans le lacs, c'est tomber ou \u00eatre dans l'embarras. On dit aussi tomber dans le lac (!) C'est ne pas r\u00e9ussir.\u00bb Pascal Poyet, \"Prenons le dernier mot\" in \u00ab cahier critique de po\u00e9sie \u00bb <br \/>\r\nn\u00b015, centre international de po\u00e9sie Marseille 2008.","year":"2007","url":"2007\/roger-giroux\/poeme","published":1},"48":{"imageurl":"\/ima\/livre\/48\/thorow_couv.jpg","title":"Thorow","authorfield":"Susan Howe","summary":"Thorow est le deuxi\u00e8me livre du volume paru sous le titre \"Singularities\" chez Wesleyan University Press en 1990. Il est ici suivi de H\u00e9liopathie, paru dans le N\u00b04 de la revue \"Temblor\" (1990).<br \/>\r\nLa figure centrale du livre est Henry David Thoreau (1817-1862), dont le nom d\u2019origine normande (Jersey) \u00e9tait parfois orthographi\u00e9  par ses contemporains \u2013 son ami Nathaniel Hawthorne p. ex. \u2013 Thorow. Thorow est aussi une graphie am\u00e9ricaine du mot anglais Thorough qui signifie \u2018\u2019\u00e0 travers\u2019\u2019, \u2018\u2019travers\u00e9e de part en part\u2019\u2019 &c\u2026<br \/>\r\nHenry [...]","year":"2002","url":"2002\/susan-howe\/thorow","published":1},"49":{"imageurl":"\/ima\/livre\/49\/pertes_recto.jpg","title":"Pertes inesp\u00e9r\u00e9es (apport\u00e9es par le vent)","authorfield":"Keith Waldrop","summary":"Keith Waldrop est n\u00e9 en 1932 \u00e0 Emporia, Kansas, USA . Professeur \u00e9m\u00e9rite \u00e0 <br \/>\r\nBrown University, Providence, Rhode Island, KW a re\u00e7u le National Book Award en 2009 pour : Transcendental Studies : A Trilogy, University of Chicago Press.<br \/>\r\nIl co-dirige avec Rosmarie Waldrop les \u00e9ditions Burning Deck : www.burningdeck.com<br \/>\r\n<br \/>\r\n\u00ab A measured prose that allows the sentence to dominate, as in prose, checked by a sense of [...]","year":"2008","url":"2008\/keith-waldrop\/pertes-inesperees-(apportees-par-le-vent)","published":1},"50":{"imageurl":"\/ima\/livre\/50\/poemes_couverture.jpg","title":"Po\u00e8mes 1962.1968.1972","authorfield":"Hans Faverey","summary":"Hans Faverey est n\u00e9 en 1933 \u00e0 Paramaribo, capitale du Surinam, une colonie des Pays-Bas jusqu\u2019en 1975, date de l\u2019ind\u00e9pendance. En 1939, sa famille s\u2019installe \u00e0 Amsterdam.<br \/>\r\n\u00e0 partir de 1965, il travaille comme psychologue clinicien \u00e0 l\u2019Universit\u00e9 de Leyde.<br \/>\r\n<br \/>\r\nLe premier livre de Faverey, intitul\u00e9 simplement \u00ab Gedichten \u00bb (Po\u00e8mes), para\u00eet en 1968 et gagne le prix de la ville d\u2019Amsterdam.<br \/>\r\n<br \/>\r\nOn [...]","year":"2012","url":"2012\/hans-faverey\/poemes-1962.1968.1972","published":1},"51":{"imageurl":"\/ima\/livre\/51\/1+1_couv.jpg","title":"Un plus un; images, m\u00e9moire","authorfield":"Klaus Theweleit","summary":"Sur \u00ab\u00a0Shoah\u00a0\u00bb de Claude Lanzmann, sur \u00ab\u00a0La Douleur\u00a0\u00bb de Marguerite Duras, les points de vue de Klaus Theweleit --un \u00abAllemand\u00bb-- sont pour nous novateurs, document\u00e9s autant qu\u2019intuitifs\u2026<br \/>\r\n'Memory Pictures' \u00e9tait paru en 1985 dans \"Le Courrier international\".<br \/>\r\nLe deuxi\u00e8me texte ici publi\u00e9, \u2018One + one\u2019, est une commande de la ville de Francfort-sur-le-Main, o\u00f9 Jean-Luc Godard a re\u00e7u en septembre 1995 le prix Adorno\u00a0; Klaus Theweleit a prononc\u00e9 le discours pour la remise de ce prix. <br \/>\r\n<br \/>\r\nParution [...]","year":"2000","url":"2000\/klaus-theweleit\/un-plus-un;-images-memoire","published":1},"52":{"imageurl":"\/ima\/livre\/52\/3traites_couv.jpg","title":"Trois Trait\u00e9s des passions","authorfield":"Jean-Fran\u00e7ois Peyret","summary":"Les textes du Trait\u00e9 1 sont pris au Trait\u00e9 des Passions de Descartes et \u00e0 la Ph\u00e8dre de Racine; J. F. Peyret commente : \u00abConflit entre deux langues, donc entre deux r\u00e9gimes path\u00e9tiques de la pens\u00e9e, la langue philosophique (qui se souvient de la robuste syntaxe latine) et la langue po\u00e9tique presque d\u00e9j\u00e0 toute captive de sa propre musique. \u00bb Le Trait\u00e9 2 est, selon l\u2019auteur, un \"impromptu\" ; la question du path\u00e9tique est pos\u00e9e \u00e0 des \u00e9crivains, des philosophes et des scientifiques qui essaient d\u2019y r\u00e9pondre, tandis que les [...]","year":"1997","url":"1997\/jean-francois-peyret\/trois-traites-des-passions","published":1},"53":{"imageurl":"\/ima\/livre\/53\/21_poemes_couv.jpg","title":"21 Po\u00e8mes-anagrammes","authorfield":"Oskar Pastior","summary":"Oskar Pastior lit (oublie de lire) les <br \/>\r\n\u00ab Contes d'Almanach \u00bb de Johann Peter Hebel (1760-1826) ; il fait le pari que leur titre serait comme un \"chiffre\" du message port\u00e9 par le conte. Il multiplie ce titre par ses anagrammes. <br \/>\r\n\u00ab De l'estomac \u00e0 la nuit le rapport est de je\u00fbne, de vide. Les anagrammes sont des affaires nocturnes qu'on n'\u00e9crit pas. Elles se fraient un passage, ce n'est pas inhabituel, de dessous l'absence. \u00bb <br \/>\r\nOP, [...]","year":"2008","url":"2008\/oskar-pastior\/21-poemes-anagrammes","published":1},"54":{"imageurl":"\/ima\/livre\/54\/39poeme_couv.jpg","title":"39 Po\u00e8mes","authorfield":"E.E. Cummings","summary":"","year":"1991","url":"1991\/e.e.-cummings\/39-poemes","published":1},"55":{"imageurl":"\/ima\/livre\/55\/page2_d.jpg","title":"41 As Awami pour l'amour de Torico","authorfield":"Max Guedj","summary":"L'auteur, romancier et psychanalyste, h\u00e9rite d'une antique machine \u00e0 \u00e9crire Remington et, durant un mois, compose 41 po\u00e8mes en formes d'as (carreau, tr\u00e8fle, c\u0153ur, pique), gages d'amour \u00e0 la jeune Japonaise Torico rencontr\u00e9e sur l'\u00eele d'Awami. ","year":"2009","url":"2009\/max-guedj\/41-as-awami-pour-l-amour-de-torico","published":1},"56":{"imageurl":"\/ima\/livre\/56\/afons_couv.jpg","title":"A.F.O.N.S.","authorfield":"Anne Parian","summary":"Les cinq personnages hypoth\u00e9tiques de ce r\u00e9cit :<br \/>\r\nAugusta<br \/>\r\nFranck<br \/>\r\nOssip<br \/>\r\nNijinski<br \/>\r\nStarbe<br \/>\r\ns'hypostasient les uns les autres.<br \/>\r\nAnne Parian a \u00e9crit pour contrat maint trois cordels, dont \u00ab ? \u00bb, se lit comme une sorte d'accomplissement.      [...]","year":"2001","url":"2001\/anne-parian\/a.f.o.n.s.","published":1},"57":{"imageurl":"\/ima\/livre\/57\/ardoises_couv.jpg","title":"Les Ardoises du Toit","authorfield":"Pierre Reverdy","summary":"Composition, impression \u00e0 l\u2019identique du livre paru en 1918 \u00e0 100 exemplaires aux d\u00e9pens de l\u2019auteur.<br \/>\r\nSur la disposition (le dispositif) de ce livre, lire Pascal POYET : \"Devant toi\"<br \/>\r\n<br \/>\r\nCette r\u00e9\u00e9dition fait suite \u00e0 la r\u00e9\u00e9dition (re-composition au plomb), en 2002 au TH.TY., de la \u00ab\u00a0Lucarne ovale\u00a0\u00bb de Pierre Reverdy (1916)\u00a0: initi\u00e9e et postfac\u00e9e par Isabelle Garron. Ne sont encore disponibles, de la \u00ab\u00a0Lucarne  ovale\u00a0\u00bb de 2002, que les exemplaires r\u00e9impos\u00e9s [...]","year":"2007","url":"2007\/pierre-reverdy\/les-ardoises-du-toit","published":1},"58":{"imageurl":"\/ima\/livre\/58\/autourde_couv.jpg","title":"Autour de la T\u00e2che du Traducteur","authorfield":"Paul De Man, Wilhelm von Humboldt, Barton Byg","summary":"\u00e0 propos des \"fr\u00e8res Humboldt\", Wilhelm et Alexander, exposition r\u00e9cente \u00e0 l'Observatoire de Paris","year":"2003","url":"2003\/paul-de-man-wilhelm-von-humboldt-barton-byg\/autour-de-la-tache-du-traducteur","published":1},"59":{"imageurl":"\/ima\/livre\/59\/commencements_couv.jpg","title":"Commencements","authorfield":"Charles Olson","summary":"Commencements r\u00e9unit un ensemble de textes jamais encore traduits en France : deux longues proses essentielles \u00e0 la compr\u00e9hension de la po\u00e9tique de l\u2019un des po\u00e8tes am\u00e9ricains les plus importants de la seconde moiti\u00e9 du XX\u00e8me si\u00e8cle, <br \/>\r\n\u00ab Univers Humain \u00bb et \u00ab C.-\u00e0-d. ad\u00e9quats au r\u00e9el m\u00eame \u00bb, des po\u00e8mes -- du tout d\u00e9but des ann\u00e9es 50 \u00e0 la fin des ann\u00e9es 60 --, une longue lettre \u00e0 l\u2019\u00e9diteur Cid Corman, et une conf\u00e9rence donn\u00e9e \u00e0 Berkeley en Californie en 1965.<br \/>\r\nLe [...]","year":"2000","url":"2000\/charles-olson\/commencements","published":1},"60":{"imageurl":"\/ima\/livre\/60\/discreteseries_couv.jpg","title":"Discrete Series","authorfield":"George Oppen","summary":"DESSIN<br \/>\r\n<br \/>\r\nNon par croissance<br \/>\r\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Mais le<br \/>\r\nPapier, tourn\u00e9, contient<br \/>\r\nCe volume entier\u00a0<br \/>\r\n<br \/>\r\n(merci \u00e0 Beno\u00eet Turquety) <br \/>\r\n","year":"1993","url":"1993\/george-oppen\/discrete-series","published":1},"61":{"imageurl":"\/ima\/livre\/61\/elephant_couv.jpg","title":"L'\u00e9l\u00e9phant blanc de","authorfield":"Heinrich Heine","summary":"L\u2019El\u00e9phant blanc de H.H. est, via la photographie, une tentative de monumentalisation d\u2019un po\u00e8me-devinette. <br \/>\r\n<br \/>\r\n\u00ab\u00a0Chacune de ses phrases est un microcosme anim\u00e9 et brillant\u00a0; ses images semblent vues dans la chambre noire\u00a0\u00bb. (G\u00e9rard de Nerval \u00e0 propos de  Heine.)","year":"2001","url":"2001\/heinrich-heine\/l-elephant-blanc-de","published":1},"62":{"imageurl":"\/ima\/livre\/62\/fadensonnen.jpg","title":"Fadensonnen","authorfield":"Paul Celan","summary":"En juin 1994, Bertrand Badiou propose une traduction annot\u00e9e de quinze po\u00e8mes de Fadensonnen dans la revue Po&sie, n\u00b069. \"Fadensonnen\", \u00e9crit-il, serait un emprunt celanien au \"Fadensommer\" (les \"fils de la vierge\" de la fin de l'\u00e9t\u00e9) de l'\u00e9crivain Jean-Paul, que Celan aimait. Un po\u00e8me, HENDAYE, est commun aux deux s\u00e9lections (de 1990 et de 1994).<br \/>\r\n<br \/>\r\nTout au long des ann\u00e9es 90, Jean Bollack (1923-2012) a donn\u00e9 des traductions \u00e9trangement pertinentes de po\u00e8mes de \"Fadensonnen\": parues en [...]","year":"1990","url":"1990\/paul-celan\/fadensonnen","published":1},"63":{"imageurl":"\/ima\/livre\/63\/films_couv.jpg","title":"Films","authorfield":"Harun Farocki","summary":"Quatre-vingts photogrammes, n\/b & couleur, extraits par l'auteur de ses films: \u00ab Feu inextinguible \u00bb, \u00abTel qu'on le voit\u00bb, \u00ab Images du monde et inscription de la guerre \u00bb, \u00ab Sorties d'usines \u00bb, \u00ab Section \u00bb, \u00ab Images de prison \u00bb, \u00ab \u0152il\/Machine \u00bb. Edit\u00e9 \u00e0 l'occasion de la r\u00e9trospective \"Histoires allemandes\", Cin\u00e9ma du r\u00e9el, Centre Georges Pompidou, 2007. <br \/>\r\n\u00ab ... En tant que l'auteur des films restitu\u00e9s, je vais les examiner avec des textes et des images. Les restituer, c'est faire appel aux moyens [...]","year":"2007","url":"2007\/harun-farocki\/films","published":1},"64":{"imageurl":"\/ima\/livre\/64\/insheer_couv.jpg","title":"In sheer whatness","authorfield":"Dominique Fourcade. Jean-Pierre Guillard","summary":"\u00ab une taxe pour chaque mot \u00e9crit, et, au-del\u00e0 (en de\u00e7\u00e0, ou au-dedans, ou \u00e0 c\u00f4t\u00e9 de chaque mot \u00e9crit), pour chaque  mot prononc\u00e9 \u00bb<br \/>\r\n  Dominique Fourcade, \"In sheer whatness\", LXXXII.<br \/>\r\n<br \/>\r\n\u00ab IL \u00bb est paru chez P.O.L en 1994.<br \/>\r\n<br \/>\r\n\u00e9galement illustr\u00e9 par Jean-Pierre Guillard au TH.TY. : Walter Benjamin, ALLEMANDS, dix Lettres (1992).    [...]","year":"1993","url":"1993\/dominique-fourcade.-jean-pierre-guillard\/in-sheer-whatness","published":1},"65":{"imageurl":"\/ima\/livre\/65\/kittler_recto.jpg","title":"1900 Mode d\u2019emploi","authorfield":"Friedrich Kittler","summary":"Friedrich Kittler, n\u00e9 en 1943, titulaire depuis 1993 de la chaire d\u2019Esth\u00e9tique et d\u2019Histoire des m\u00e9dias \u00e0 l\u2019Universit\u00e9 Humboldt, Berlin, est d\u00e9c\u00e9d\u00e9 en novembre 2011. Lire ici le po\u00e8me-conf\u00e9rence qu'il donna en fran\u00e7ais \u00e0 la Biblioth\u00e8que nationale le 17 novembre 2010, avant de signer son livre \"1900 Mode d'emploi\".<br \/>\r\n","year":"2010","url":"2010\/friedrich-kittler\/1900-mode-d-emploi","published":1},"66":{"imageurl":"\/ima\/livre\/66\/lacarte.jpg","title":"La Carte de la Sph\u00e8re Armillaire","authorfield":"Mich\u00e8le M\u00e9tail","summary":"\u00ab L'expression \"Po\u00e8me \u00e0 lecture retourn\u00e9e\" (huiwenshi) d\u00e9signe en chinois un texte qu'il est possible de lire dans deux sens ; \u00e0 l'ordre habituel s'ajoute une lecture \u00e0 rebours, en partant du dernier mot du texte pour remonter jusqu'au premier. Cette seconde lecture engendre alors une nouvelle signification.<br \/>\r\nLes premiers textes \u00e0 lecture retourn\u00e9e apparaissent en Chine vers le deuxi\u00e8me si\u00e8cle de notre \u00e8re, c'est \u00e0 dire vers la fin de la dynastie des Han, mais c'est une femme, Su Hui, po\u00e8te de la seconde moiti\u00e9 [...]","year":"1998","url":"1998\/michele-metail\/la-carte-de-la-sphere-armillaire","published":1},"67":{"imageurl":"\/ima\/livre\/67\/canon_couv.jpg","title":"Le canon de la voie et de la vertu","authorfield":"Lao-Tseu, trad. Lebensztejn (r\u00e9impression 2016)","summary":"Nouvelle traduction par Jean-Claude Lebensztejn du Daode Jing (Tao te king) ou: \"Canon de la voie et de la vertu\" de Lao-tseu (Laozi, IV\u00e8me si\u00e8cle av. J.-C.)<br \/>\r\n\u00ab Sans franchir le pas de sa porte, on conna\u00eet le monde-sous-le-ciel; \/ sans regarder par la fen\u00eatre on per\u00e7oit la voie du ciel. \u00bb<br \/>\r\nExtrait du po\u00e8me XLVII.","year":"2009","url":"2009\/lao-tseu-trad.-lebensztejn-(reimpression-2016)\/le-canon-de-la-voie-et-de-la-vertu","published":1},"68":{"imageurl":"\/ima\/livre\/68\/cristal_couv.jpg","title":"Le Cristal de Lithium","authorfield":"James Schuyler","summary":"Le po\u00e8me \u00ab Le Cristal de Lithium \u00bb a \u00e9t\u00e9 traduit une premi\u00e8re fois par Dominique Fourcade dans l'Anthologie dirig\u00e9e par Jacques Roubaud, \u00ab Vingt Po\u00e8tes am\u00e9ricains \u00bb, Gallimard 1980.<br \/>\r\n<br \/>\r\n\u00ab \tIl s\u2019est mis \u00e0 pleuvoir<br \/>\r\n\u00a0\u00a0\u00a0copieusement : pas des gouttes, \/<br \/>\r\nDes fl\u00e8ches liquides qui p\u00e9n\u00e8trent la pelouse et la terre,<br \/>\r\n\u00a0\u00a0\u00a0forant des trous, fouettant \/<br \/>\r\nLes balsamines, les p\u00e9tunias, [...]","year":"2010","url":"2010\/james-schuyler\/le-cristal-de-lithium","published":1},"69":{"imageurl":"\/ima\/livre\/69\/poemesde_couv.jpg","title":"Po\u00e8me(s) de Vogelweide","authorfield":"","summary":"Walther von der Vogelweide (1170-1230), \u00ab\u00a0minnes\u00e4nger\u00a0\u00bb\u00a0: l\u2019\u00e9quivalent dans le sud de l\u2019Allemagne de notre \u00ab trov\u00e8re \u00bb.<br \/>\r\n","year":"1997","url":"1997\/poeme(s)-de-vogelweide","published":1},"70":{"imageurl":"\/ima\/livre\/70\/milletre4_couv.jpg","title":"Mille e tre, 4 ; cites","authorfield":"Mica\u00ebla Henich, Michael Palmer","summary":"CITES --deux cents vers de trois mots \u00e9crits par Michael Palmer en vis \u00e0 vis  de chaque dessin de Mica\u00ebla Henich-- est la quatri\u00e8me section de \u00ab Mille e tre \u00bb. <br \/>\r\n<br \/>\r\nextrait de bibliographie de Michael Palmer (n\u00e9 en 1943) sur le site de la bnf.<br \/>\r\n<br \/>\r\n","year":"1995","url":"1995\/micaela-henich-michael-palmer\/mille-e-tre-4-;-cites","published":1},"71":{"imageurl":"\/ima\/livre\/71\/reconnaitre_couv.jpg","title":"Reconna\u00eetre et Poursuivre","authorfield":"Harun Farocki","summary":"\u00ab L'homme s'est approch\u00e9 de la femme et il a ouvert prudemment le sac \u00e0 main. La femme a r\u00e9agi \u00e0 l'approche du voleur comme \u00e0 une proximit\u00e9 \u00e9rotique, elle renverse la t\u00eate et ouvre les l\u00e8vres. Les mains du voleur accomplissent tout autre chose que ce que son visage exprime. L'expression du visage cache qu'il enfreint les codes en s'approchant aussi pr\u00e8s d'une femme, mais dans l'affluence du m\u00e9tro ils sont les seuls \u00e0 s'en rendre compte. La compression du montage est telle, ne dirait-on pas que les mains [...]","year":"2002","url":"2002\/harun-farocki\/reconnaitre-et-poursuivre","published":1},"72":{"imageurl":"\/ima\/livre\/72\/eckhart_couv.jpg","title":"Deuxi\u00e8me sermon","authorfield":"Ma\u00eetre Eckhart","summary":"INTRAUIT IN QUODDAM CASTELLUM, ch\u0153ur \u00e0 huit voix de Philippe Hersant. <br \/>\r\nLa partition accompagnait les 83 premiers exemplaires du Deuxi\u00e8me Sermon de Ma\u00eetre Eckhart. Les 12 premiers num\u00e9rot\u00e9s et sign\u00e9s par le compositeur.<br \/>\r\n","year":"1996","url":"1996\/maitre-eckhart\/deuxieme-sermon","published":1},"73":{"imageurl":"\/ima\/livre\/73\/marginalia_couv.jpg","title":"Marginalia de Melville","authorfield":"Susan Howe","summary":"A travers prose et po\u00e8mes, Susan Howe montre comment la lecture par Herman Melville du po\u00e8te irlandais \"romantique\" James Clarence Mangan ((1803-1849) pourrait avoir donn\u00e9 naissance \u00e0 la figure de Bartleby.","year":"1997","url":"1997\/susan-howe\/marginalia-de-melville","published":1},"74":{"imageurl":"\/ima\/livre\/74\/mettre_couv.jpg","title":"mettre.","authorfield":"Marie-louise Chapelle","summary":"\u00ab Alors je<br \/>\r\npleurer des choses qui se font, forme et contour.\u00bb<br \/>\r\nExtrait de : \"mettre (tombeau)\", p.27.<br \/>\r\n<br \/>\r\nAutres publications de M.-l. Chapelle : dans \"Ligne 13\" N\u00b0 1, \u00abL'\u00e9tiquette\u00bb. <br \/>\r\nDans la \"Revue de m\u00e9taphysique et de morale\" N\u00b0 79 (PUF), \u00abLa Ligne Kant\u00bb (2013\/3).<br \/>\r\nChez contrat maint : \"A la corde\", 2010. <br \/>\r\n<br \/>\r\n\"Prononc\u00e9 [...]","year":"2006","url":"2006\/marie-louise-chapelle\/mettre.","published":1},"75":{"imageurl":"\/ima\/livre\/75\/monsieur_couv.jpg","title":"Monsieur le Gros Monsieur","authorfield":"Francis Cohen","summary":"O\u00f9 Maurice (Sc\u00e8ve) et Edward (Cummings) sont les t\u00e9moins (et les gardiens) des jeux du fils de Monsieur Le Gros M.<br \/>\r\nLa chaise, elle, a sa propre vie int\u00e9rieure.","year":"2004","url":"2004\/francis-cohen\/monsieur-le-gros-monsieur","published":1},"76":{"imageurl":"\/ima\/livre\/76\/collecte_recto.jpg","title":"Une collecte","authorfield":"Fr\u00e9d\u00e9ric Forte","summary":"\u00ab Tous les fils du ch\u00e9rif sont ch\u00e9rifs et sont fr\u00e8res. \u00bb (p. 75)<br \/>\r\n\u00ab Fr\u00e9d\u00e9ric Forte est lui-m\u00eame, de par ses initiales doubles, une sorte de descendant de la lettre \"f\". Mieux : en doublant les doubles (car l'\u00e9nonc\u00e9 de Mauss comprend quatre fois la lettre \"f\"), il peut changer l'\u00e9criture de son nom sans en changer le son, il peut se le faire r\u00e9entendre \u00e0 lui-m\u00eame par la seule force d'un signifiant musical: ffff. \u00bb<br \/>\r\nS\u00e9bastien Smirou    [...]","year":"2009","url":"2009\/frederic-forte\/une-collecte","published":1},"77":{"imageurl":"\/ima\/livre\/77\/zwar_couv.jpg","title":"ZWAR","authorfield":"Francis Cohen","summary":"Francis Cohen fait \u0153uvre de critique. Il \u00e9crit (P.O.L. --ouvrages collectifs-- ou en revues) sur des po\u00e8tes comme Jacques Dupin, Claude Royet-Journoud, Roger Giroux et surtout Jean Daive. <br \/>\r\nIl co-dirige avec S\u00e9bastien Smirou la revue \"Ligne 13\".<br \/>\r\n<br \/>\r\n\u00ab Diesmal \u00bb est paru en 2011 chez NOUS (voir photo de l'auteur).<br \/>\r\n                  [...]","year":"2008","url":"2008\/francis-cohen\/zwar","published":1},"79":{"imageurl":"\/ima\/livre\/79\/spicer_couv.jpg","title":"Trois le\u00e7ons de po\u00e9tique","authorfield":"Jack Spicer","summary":"Jack Spicer est n\u00e9 \u00e0 Los Angeles le 30 janvier 1925, il est mort \u00e0 San Francisco le 17 ao\u00fbt 1965; deux mois auparavant, il donnait \u00e0 Vancouver les trois le\u00e7ons qu'on trouvera dans ce livre. Devant un auditoire de jeunes po\u00e8tes, de professeurs et d'artistes il s'explique sur ce qu'il entend par \"po\u00e8me s\u00e9riel\" et par \"dict\u00e9e\" des po\u00e8mes, dict\u00e9e qu'il attribue aux \"Martiens\" [...] Il rapproche, ou oppose sa po\u00e9tique \u00e0 celle de ses contemporains qui lui importent, Charles Olson, Robert Duncan, Robert Creeley &c, ...<br \/>\r\nLe\u00e7ons [...]","year":"2013","url":"2013\/jack-spicer\/trois-lecons-de-poetique","published":1},"80":{"imageurl":"\/ima\/livre\/80\/lesoleil_couv.jpg","title":"Le Soleil plac\u00e9 en ab\u00eeme","authorfield":"Francis Ponge","summary":"Une longue et importante prose publi\u00e9e pour la premi\u00e8re fois chez Gallimard en 1954.<br \/>\r\n<br \/>\r\n\u00ab Ici, je demande au lecteur d'imaginer ou plut\u00f4t \u00e0 l'auditeur d'imaginer qu'il lit le texte sur un livre, une grande page de livre. \u00bb<br \/>\r\nExtrait de : Francis Ponge, entretiens avec Philippe Sollers.<br \/>\r\n<br \/>\r\nLa typographie de ce texte est un hommage \u00e0 son \u00e9dition allemande [...]","year":"1994","url":"1994\/francis-ponge\/le-soleil-place-en-abime","published":1},"81":{"imageurl":"\/ima\/livre\/81\/carnetda_couv3.jpg","title":"Himmel und erde suivi de Carnet d'a","authorfield":"Sabine Macher","summary":"\u00ab himmel und erde c'est un plat qui m\u00e9lange le ciel et la terre, dans la m\u00eame assiette la pomme de l'arbre est cuite \u00e0 c\u00f4t\u00e9 de la pomme de terre. \u00bb","year":"2005","url":"2005\/sabine-macher\/himmel-und-erde-suivi-de-carnet-d-a","published":1},"82":{"imageurl":"\/ima\/livre\/82\/Relativement-au-versb.jpg","title":"Relativement au vers suivi de Le N\u00e9nuphar blanc","authorfield":"St\u00e9phane Mallarm\u00e9","summary":"\"Relativement au vers\": une premi\u00e8re version, parue en 1893 (dans VERS ET PROSES) de cette \u00abdivagation\u00bb qui deviendra \"Crise de vers\". <br \/>\r\nSuivi de \"Le N\u00e9nuphar blanc\", un po\u00e8me en prose \u00e9crit en 1885.<br \/>\r\n<br \/>\r\n\u00ab ...un rien, fait de songes intacts, du bonheur qui n'aura pas lieu et de mon souffle ici retenu dans la peur d'une apparition. \u00bb<br \/>\r\n          [...]","year":"1993","url":"1993\/stephane-mallarme\/relativement-au-vers-suivi-de-le-nenuphar-blanc","published":1},"83":{"imageurl":"\/ima\/livre\/83\/allemands1992_couv.jpg","title":"Allemands, dix lettres","authorfield":"Walter Benjamin ","summary":"Pour les \"Allemands\" de ce livre, contemporains de L'Aufkl\u00e4rung, d\u00e9finir le \"national\" ne rel\u00e8ve que d'un effort, souvent d\u00e9sesp\u00e9r\u00e9, pour percevoir o\u00f9 habiter. L'Aufkl\u00e4rung y est d'ailleurs pr\u00e9sent\u00e9e comme une tradition historiquement souterraine, car n'\u00e9tant jamais parvenue \u00e0 r\u00e9duire \u00e0 la th\u00e9orie le r\u00e9el qu'elle a pr\u00e9tendu \u00e9clairer.<br \/>\r\nEn 1938, le livre est interdit en Allemagne.<br \/>\r\n","year":"1992","url":"1992\/walter-benjamin-\/allemands-dix-lettres","published":1},"84":{"imageurl":"\/ima\/livre\/84\/allemands_couv.jpg","title":"Allemands, dix lettres","authorfield":"Walter Benjamin","summary":"","year":"2002","url":"2002\/walter-benjamin\/allemands-dix-lettres","published":0},"85":{"imageurl":"\/ima\/livre\/85\/fenetreBig_couverture.jpg","title":"La Fen\u00eatre Veuve (format carr\u00e9)","authorfield":"Jacques Roubaud","summary":"... \u00e0 Crannon Simonide de C\u00e9os ... les neuf tours de Nola ... Giulio Camillo 1544 ... Venise 1550 ... Londres 1583 ... Giordano Bruno ... Rome, Campo di fiore le 9 f\u00e9vrier 1600 mercredi des cendres ...","year":"1996","url":"1996\/jacques-roubaud\/la-fenetre-veuve-(format-carre)","published":1},"86":{"imageurl":"\/ima\/livre\/86\/almanach-9.jpg","title":"Almanach de 1822","authorfield":"Goethe","summary":"Texte du manuscrit initial pour l'\u00c9l\u00e9gie dat\u00e9e de septembre 1823 : version fran\u00e7aise en regard des pages d'almanach sur lesquelles G\u0153the nota les vers, au retour de Marienbad, dans la voiture qui le ramenait \u00e0 I\u00e9na.<br \/>\r\n<br \/>\r\n36 exemplaires r\u00e9impos\u00e9s sur Opale accompagn\u00e9s d'une peinture de Toru Kaneko, \u00e9dition cartonn\u00e9e 150\u20ac.<br \/>\r\n<br \/>\r\nLe petit almanach sur lequel          [...]","year":"1995","url":"1995\/goethe\/almanach-de-1822","published":1},"87":{"imageurl":false,"title":"La Lucarne ovale","authorfield":"Pierre Reverdy","summary":"","year":"2002","url":"2002\/pierre-reverdy\/la-lucarne-ovale","published":0},"88":{"imageurl":"\/ima\/livre\/88\/1ere-couv.png","title":"Op\u00e9ras-minute (r\u00e9\u00e9dition broch\u00e9e)","authorfield":"Fr\u00e9d\u00e9ric Forte","summary":"Extraits :<br \/>\r\n <br \/>\r\n\"Op\u00e9ra-minute\", p.85. <br \/>\r\nUne sc\u00e8ne et une coulisse s\u00e9par\u00e9es par une ligne verticale de 7,62 cm. Constantes garantissant l'int\u00e9grit\u00e9 de la forme, quelles que soient la quantit\u00e9 et la disposition des signes utilis\u00e9s. Peut \u00e9galement \"fixer\" d'autres formes, et la sienne propre.<br \/>\r\n<br \/>\r\n\"Terza rima\", p. 79. <br \/>\r\nConstitu\u00e9e d'une tresse de rimes aba bcb cdc etc... Dans [...]","year":"2017","url":"2017\/frederic-forte\/operas-minute-(reedition-brochee)","published":1},"94":{"imageurl":"\/ima\/livre\/94\/carnetda_couv.jpg","title":"carnet d'a ","authorfield":"Sabine Macher","summary":"Voir : Himmel und erde suivi de carnet d'a.","year":"1999","url":"1999\/sabine-macher\/carnet-d-a-","published":1},"95":{"imageurl":"\/ima\/livre\/95\/apophoretes-1-site.jpg","title":"Apophor\u00e8tes","authorfield":"Martial \/ Valentina La Rocca","summary":"Rome, premier si\u00e8cle :<br \/>\r\n<br \/>\r\n\"Pour que les jeunes thons ne manquent pas de toges ni les olives de tuniques; -- Pour que la pauvre blatte ne meure pas ignoblement de faim, Muses, g\u00e2chez encore ces papyrus du Nil, tout ce que j'ai \u00e0 perdre: L'hiver propice au vin r\u00e9clame des vers nouveaux. -- Mon d\u00e9 ne livre pas d'ardent combat et je ne secoue pas les as avec les six. -- Mes noix sont ce papier, mon [...]","year":"1988","url":"1988\/martial-\/-valentina-la-rocca\/apophoretes","published":1},"96":{"imageurl":"\/ima\/livre\/96\/Couv-Bordarier-drte.jpg","title":"The Liberties - Pages Manquantes","authorfield":"Susan Howe - St\u00e9phane Bordarier","summary":"\"The Liberties\" est le nom d'un quartier populaire de Dublin, au sud de la Liffey, entre l'ancienne brasserie Guinness et la Cath\u00e9drale Saint-Patrick, dont Swift fut le Doyen ... \"The Liberties\": Le titre, aussi, d'un ouvrage de Susan Howe paru en 1983 dans \"Defenestration of Prague\" (New York). Constitu\u00e9 de trois \"livres\" avec, en ouverture, une prose document du po\u00e8me ... Dans le deuxi\u00e8me de ces \"livres\", Susan Howe plante le d\u00e9cor d'une sc\u00e8ne de th\u00e9\u00e2tre sur laquelle \u00e9voluent deux personnages f\u00e9minins: Stella, l'amie-\u00e9l\u00e8ve de Swift (il fut son pr\u00e9cepteur), [...]","year":"2013","url":"2013\/susan-howe---stephane-bordarier\/the-liberties---pages-manquantes","published":1},"97":{"imageurl":"\/ima\/livre\/97\/Waldrop_1ere.jpg","title":"L'Irrattrapabilit\u00e9 -- suivi de : Le Ma\u00eetre de la crucifixion de Providence","authorfield":"Keith Waldrop","summary":"\"De l\u2019extinction des images nous savons peu de choses. Montant, comme il le doit souvent, le raidillon qui depuis la rivi\u00e8re, derri\u00e8re laquelle est le centre ville, conduit aux quartiers est, il m\u00e9dite sur la vie dans le monde des absents. Il fut un temps convaincu \u2013 s\u2019\u00e9tait convaincu lui-m\u00eame \u2013 qu\u2019il pourrait se rendre sans en \u00eatre affect\u00e9 dans le royaume des morts (une cons\u00e9quence, indubitablement, de lectures \u00e9tendues mais d\u00e9sordonn\u00e9es), pouvant ainsi esp\u00e9rer parvenir \u00e0 sublimer ses peurs les plus communes \u2013 passer, comme il le disait, de [...]","year":"2013","url":"2013\/keith-waldrop\/l-irrattrapabilite----suivi-de-:-le-maitre-de-la-crucifixion-de-providence","published":1},"100":{"imageurl":"\/ima\/livre\/100\/1e-de-couvert-.jpg","title":"Enonc\u00e9s-types","authorfield":"Dominique Qu\u00e9len","summary":"Voici une mise \u00e0 distance. Syntaxe neutre, r\u00e9duite, proche des exercices de langue. Cependant, comme l'\u00e9crit Paulhan, \"les mots se m\u00ealent de si pr\u00e8s \u00e0 notre souci de les faire servir que l'on ne distingue jamais tr\u00e8s bien o\u00f9 le souci commence et o\u00f9 finit le mot.\" Il s'agit d'explorer la r\u00e9alit\u00e9 des choses \u00e0 travers un microcosme aux figures r\u00e9p\u00e9titives mais agenc\u00e9es diff\u00e9remment d'un po\u00e8me \u00e0 l'autre, d'exp\u00e9rimenter des actions, des passages d'un \u00e9tat \u00e0 un autre, sous l'apparent arbitraire des faits et de leur encha\u00eenement.<br \/>\r\nLire:<br \/>\r\n[...]","year":"2014","url":"2014\/dominique-quelen\/enonces-types","published":1},"101":{"imageurl":"\/ima\/livre\/101\/Blitzkrieg_81.jpg","title":"Id\u00e9ologies : des nouvelles de l'Antiquit\u00e9","authorfield":"Alexander Kluge","summary":"Objet du film : \u00e9riger une st\u00e8le au projet qu\u2019Eisenstein avait eu, en 1928-1929, de porter \u00e0 l\u2019\u00e9cran Le Capital de Karl Marx. La crise de 1929 s\u2019est invit\u00e9e dans ce projet, peut-\u00eatre en a-t-elle eu raison. Alexander Kluge s\u2019interroge sur le r\u00f4le fantomatique des circonstances dans la construction mentale d\u2019Eisenstein : \u00abM\u00eame les commencements d\u2019Eisenstein m\u2019int\u00e9ressent.\u00bb  Lire l'article de Dario Marchiori","year":"2014","url":"2014\/alexander-kluge\/ideologies-:-des-nouvelles-de-l-antiquite","published":1},"102":{"imageurl":"\/ima\/livre\/102\/Le-petit-Chaperon.jpg","title":"Le Petit Chaperon rouge, version chinoise","authorfield":"Jacques Pimpaneau","summary":"fables propos\u00e9es et traduites par <br \/>\r\nJacques Pimpaneau<br \/>\r\n<br \/>\r\nMerci \u00e0 la R\u00e9serve de la Biblioth\u00e8que nationale de nous avoir envoy\u00e9 l'image ci-contre","year":"1986","url":"1986\/jacques-pimpaneau\/le-petit-chaperon-rouge-version-chinoise","published":1},"103":{"imageurl":"\/ima\/livre\/103\/cinema_du_present-1.jpg","title":"Cin\u00e9ma du pr\u00e9sent","authorfield":"Lisa Robertson","summary":"\"Lisa Robertson n'a suivi d'autre contrainte pour \u00e9crire phrase apr\u00e8s phrase \"Cin\u00e9ma du pr\u00e9sent\" que de ne jamais ajouter la nouvelle phrase \u00e0 la derni\u00e8re, mais de faire grandir le texte par le milieu. [...] Ce qu'on pourrait appeler ici \"vers-phrase\" [...] est un objet pos\u00e9 sur la page, tr\u00e8s mobile, un \u00e9nonc\u00e9 relativement autonome, particuli\u00e8rement appropri\u00e9 \u00e0 une \u00e9criture de montage.\" [...] <br \/>\r\n\"Romain, italique -- de quel tissage s'agit-il? Quand elle d\u00e9crit sa fa\u00e7on de proc\u00e9der, Lisa Robertson joint les deux mains en entrecroisant [...]","year":"2015","url":"2015\/lisa-robertson\/cinema-du-present","published":1},"104":{"imageurl":"\/ima\/livre\/104\/1ere_Cv-Basses-ctraintes.jpg","title":"Basses contraintes ","authorfield":"Dominique Qu\u00e9len","summary":"Lire :<br \/>\r\n","year":"2015","url":"2015\/dominique-quelen\/basses-contraintes-","published":1},"106":{"imageurl":"\/ima\/livre\/106\/602473_CvQuadri_Simurgh.jpg","title":"Simurgh & Simorgh","authorfield":"Gabriel Gauthier","summary":"Lire:","year":"2016","url":"2016\/gabriel-gauthier\/simurgh-&-simorgh","published":1},"105":{"imageurl":false,"title":"Le Div\u00e2n d'Orient et d'Occident","authorfield":"Goethe","summary":"","year":"1819","url":"1819\/goethe\/le-divan-d-orient-et-d-occident","published":0},"114":{"imageurl":"\/ima\/livre\/114\/projet-petrarque-24.jpg","title":"Oskar Pastior, Le Projet P\u00e9trarque","authorfield":"Laurent Cassagnau","summary":"\" Oskar Pastior, 'Le Projet P\u00e9trarque' \" <br \/>\r\nest l'article d'un traducteur (Laurent Cassagnau) analysant la non-traduction (r\u00e9\u00e9criture) d'un po\u00e8te (P\u00e9trarque) par un autre (Oskar Pastior). 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L'\u00e9lide et l'\u00e9lude -- mais avant de vous en parler, il faudrait que je vous parle de l'\u00e9pic\u00e8ne. Je pense que les trois iront bien ensemble. 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